In my tests, it was unable to compute panoramas that other apps were able to do without a problem. I noticed this issue particularly with shallow depth of field images such as the one below. One other thing worth noting is that, unlike Lightroom which stitches raw files into a larger raw file, Photo RAW stitches images into a 16-bit PSD file. The versions feature is a pretty simple addition that creates another copy of a given image without actually copying the image so that you can experiment with different post-processing settings without increasing the file size on your desktop. As far as I can tell, versions is effectively the same as Lightroom's virtual copies and functions exactly as can be expected.
In all, for some users versions adds a critical tool to the Photo RAW workflow that brings it more in line with its primary competitor. Photo RAW 2018 introduces a more advanced masking tool set by adding global and luminosity masking. Global masking allows the user to adjust the mask after it has been created by adding a feather to blur the mask which works exactly as expected, great for gradated effects. A density adjustment has also been added to masking which allows the user to effectively fade the mask to decrease the effect which functions fantastically and is a strong addition. A luminosity mask tool has also been added to help quickly select either the highlights or shadows of an image, which, in certain situations, can be incredibly useful. The masking features in Photo RAW 2018 works very well and are welcome additions to the application.īeing able to brush away noise without needing to apply noise reduction to the entire image is an interesting addition to match the offering of Photo RAW's competitors. In my testing, it worked wonderfully allowing me to effectively eliminate noise in specific areas of shadow where noise tends to become more pronounced.
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Personally, this isn't a tool I'd ever use as I very rarely am shooting at an ISO that produces noticeable noise and when I do, I prefer my image to have a consistent noise profile. But I can certainly see the desire for users who often are shooting at higher ISOs, and the addition of noise reduction to the local adjustments tool in Photo RAW certainly gets the job done. The Photo RAW 2018 HDR experience begins by selecting the series of images that would like to merge into HDR, then right-clicking on one and opting to merge them into HDR. The first window that is presented asks whether you would like to create a natural-looking HDR or a surreal-looking HDR, and if you would like the HDR to be rendered automatically or with custom settings. If you choose custom settings you are then brought to another window that lets you adjust the HDR image with controls similar to a raw editor.
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